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God And The Abyss

God and the Abyss

New York City's Bitter Grace performed for ten years and went through continuous rounds of line-up changes during the making of this album. Similar in vein to the sound of Joy Division, Bauhaus and other post-punk goth rockers, God and the Abyss was a long journey that lasted from the first recording in 1985 to the final release in 1997. A very dark CD as a whole, sole founder Gustavo Lapis Ahumad went through three keyboardists, two guitarists and three drummers in order to complete the album.

Track listing

All songs by Gustavo Lapis Ahumad except "The Very Last Goodbye" by David Ordenana & Bitter Grace. # "Beneath the Ocean Black" - 2:29 # "Special One" - 4:37 # "Sane" - 6:00 # "Nothing Here" - 6:11 # "Ashes in the Rain" - 4:49 # "Precious" - 5:45 # "The Very Last Goodbye" - 5:22 # "God and the Abyss" - 1:56 # "Fever" - 2:55 # "Burning Kisses" - 6:16 # "Requiem" - 5:53

Personnel


- Gustavo Lapis Ahumad - Writer / Producer / Vocals / Art
- Peter Cortinas - Guitars
- Jason Mathew James - Guitars
- David Ordenana - Bass
- Alex Smith - Keyboards
- Thierry Casias - Keyboards
- Alex Orlov - Keyboards
- Adrian Q - Drums
- Jerry Kong - Drums
- Kevin X - Drums
- Michael Barile - Engineer
- Thomas Duncan - Engineer
- Giovanni Fusco - Engineer
- Francine Barile - Production Assistant
- Saul Zonana - Mastering
- Dina of Red Evil Photography - Photos
- Vicky Novak - Post Production Assistant
- Joy Victims - Management



Joy Division

Joy Division was a rock music band formed in 1977 in Manchester. The band dissolved in May 1980 after the suicide of its lead singer Ian Curtis. The remaining members reformed as New Order a couple of months later. Though they found only modest success during their career, Joy Division have since been acclaimed as one of the most inventive, evocative and influential groups of their era. Joy Division were labelled by many as a dark and depressive band due to the bleakness of their music and the suicide of Ian Curtis. The remaining members of Joy Division and people who knew the band have always denied this however.

History

1976

Inspired by a Sex Pistols gig at the Manchester Lesser Free Trade Hall on July 20, 1976, Bernard Sumner (also credited as "Bernard Dicken", "Bernard Albrecht" and "Bernard Albrecht-Dicken") and Peter Hook formed a band with friend Terry Mason. Sumner bought a guitar, Hook purchased a bass, and Mason a drum kit. The band placed an advertisement in a Manchester record store and recruited singer Ian Curtis. Curtis knew Sumner, Hook and Mason from previous gigs and was also in attendance at the Sex Pistols gig with his wife, Deborah. Richard Boon and Pete Shelley of The Buzzcocks suggested the name "Stiff Kittens" for the band. Although "Stiff Kittens" appeared on some gig flyers, the band didn't like it and never officially accepted it.

1977

Lacking confidence in his abilities as a drummer, Mason quit the group the day before their first gig to become their manager. Though not much of a punk drummer, they found Tony Tabac. Just before their first gig on May 29, 1977, supporting Buzzcocks and Penetration at the Electric Circus, the band renamed themselves Warsaw; though they had already appeared on the bill as the Stiff Kittens. Five weeks and half a dozen gigs later, Tabac was replaced by punk drummer Steve Brotherdale from another band called Panik. They recorded The Warsaw Demo on July 18, 1977, consisting of five crude punk songs. After the demo, Brotherdale was fired; the remaining band members drove off without him. Brotherdale tried to get Curtis to join Panik but was rebuffed. Stephen Morris, who responded to an ad in a music store window, was hired as Brotherdale's replacement. He was hired primarily because Curtis remembered him from his academic days as Morris attended the same school two years below Curtis. Unlike the previous drummers, Morris clicked well with the three. His metronome-like drumming owed more to krautrock than the aggressive bombast typical of many punk drummers. In late 1977, in order to avoid confusion with the London punk band Warsaw Pakt, Warsaw renamed themselves Joy Division. The name was in reference to groups of Jewish women used as sex slaves in Nazi concentration camps depicted in Ka-Tzetnik 135633's 1955 novel The House of Dolls. Although the choice of name was more reflective of a punk-style desire to challenge taboos, however recklessly, this choice along with other issues (such as Sumner's adoption of the surname Albrecht, their previously being known as Warsaw and, later, New Order's choice of name (another reflection of Nazi German history) led the band to be dogged by accusations of neo-Nazism, which they strenuously denied. The band's music and style stabilized around this time. Sessions recorded in December 1977 sound considerably different from The Warsaw Demo.

1978

The group played their first gig as Joy Division on January 25, 1978. They played regularly in the north of England throughout early 1978, and then recorded enough material for a debut album. However, after the studio engineer added synthesizers to several tracks, the band scrapped it. The album would be released as a bootleg in 1982 and then officially 10 years later. Rob Gretton became the band's manager in May 1978. Over the next 20 years, his addition would play an integral part in forming the Joy Division/New Order legacy. Joy Division's debut on vinyl was on a compilation in the summer of 1978 called Short Circuit. Though listed as Joy Division, it was actually a track from the Warsaw days recorded live on October 2, 1977. In June 1978 their December 1977 sessions were released as a 7" EP under the title An Ideal for Living. In late 1978, An Ideal for Living was remastered and re-released as a 12". On September 20, 1978, they performed on the TV show Granada Reports; then in December 1978, they appeared on the compilation EP A Factory Sample, contributing two tracks recorded a few months earlier. This EP sold out within a couple of months and was the first release to document the haunting and atmospheric sound that Joy Division had been developing since that past summer.

1979

An Ideal for Living Early 1979 saw Joy Division gain more publicity. Ian Curtis appeared on the front cover of the New Musical Express. Joy Division recorded a radio session in January (aired on BBC Radio 1 on February 14 by the respected DJ John Peel). On March 4, they supported The Cure at the Marquee Club, a major venue in London. In April 1979, the band began recording their landmark debut album Unknown Pleasures. The record was far bleaker and darker than most of its contemporaries, featuring Hook's bass as the lead melodic instrument, drums soaked in icy reverb, Sumner's jagged guitar and Curtis's baritone vocal style. Whereas most punk rock bands had been extroverted and aggressive, Joy Division were more introverted and personal. However despite the insularity, the music of Joy Division could be very aggressive, chaotic and at times even violent. To this day the experience of listening to Joy Division is an intense and disturbing one for many listeners, especially those familiar with the history of the band. The album cover, designed by Peter Saville based on a graph of 100 consecutive pulses from the pulsar CP 1919, is regarded as a classic of minimalist sleeve design. The image was found by Sumner in a book of Astronomy and represents the final flashes of a collapsed, dead star. Unknown Pleasures was released in June while Joy Division were recording five songs for Piccadilly Radio. They performed on Granada TV again in July, made their first and last nationwide TV appearance in September on BBC2, supported The Buzzcocks in a 24-venue UK tour during October and November, and performed again on John Peel's BBC radio show in December. Despite the fact that Unknown Pleasures was selling well and receiving good reviews from the music press, all was not well. Curtis suffered from epilepsy. On stage he would often have tonic-clonic seizures that resulted in unconsciousness and convulsions, or absence seizures that would cause brief trancelike pauses. Even after disposing of their lightshow, Curtis would still have these problems; and the band decided to rest over the Christmas holiday.

1980

In January 1980, Joy Division set out on a European tour. Several dates were cancelled though due to Curtis's deteriorating health. With Martin Hannett, who also produced Unknown Pleasures, the band began recording their second album Closer at the end of the European tour in March. They released their most famous song "Love Will Tear Us Apart" (voted the number 1 single of all time by New Musical Express in a 2003 poll), in April. Despite receiving brilliant reviews, the single failed to move beyond the independent charts. On April 8, the band played a gig at the Derby Hall in Bury. After jamming with support band Section 25, Joy Division's set began with Alan Hempstall of Crispy Ambulance and Simon Topping of A Certain Ratio filling in for Curtis who was initially too ill to perform. Curtis did manage to return, but only for a few songs. When the band resumed jamming without their singer, some members of the audience reacted unfavorably to this, turning the gig into a riot in which Hook, Gretton, and other crew members fought with angry onlookers. (Johnson 1984) Following a one-off gig in early May, the band took a two weeks' rest before their first American tour was scheduled to start. At the time, Curtis's relationship with his wife, Deborah Curtis, was collapsing due to his infidelity with a Belgian woman, Annick Honoré, whom he had met on tour (no photograph of Honoré has ever been published). Alone in his Macclesfield home, on May 17, 1980, Curtis reportedly watched a movie, entitled Stroszek, about an artist who commits suicide, and listened to Iggy Pop's debut solo album, The Idiot. On May 18, 1980, Ian Curtis was discovered by his wife Deborah in their kitchen, having hanged himself.

Aftermath

The band had long decided that if any one of them left or was unable to perform for any reason, they would end the band. In the summer of 1980, a reissued "Love Will Tear Us Apart" hit number 13 on the British singles chart, their biggest commercial success to date. In July 1980, Closer was finally released to overwhelmingly positive reviews; it also charted, peaking at number 6 on the British album chart. Sales of Unknown Pleasures were also robust. At first glance Curtis' suicide appears to be exclusively the product of his own depression and ill health. Deborah Curtis' book Touching from a Distance gives the impression that Curtis always wanted to die young. Curtis has been an inspiration for a number of musicians that include Kurt Cobain, Billy Corgan, Trent Reznor (who, as Nine Inch Nails, covered "Dead Souls" for the soundtrack of the movie The Crow), and Robert Smith. Despite Curtis' suicide, Joy Division essentially did not end in 1980, as the surviving members immediately toured and soon recorded new music. Eventually renaming themselves "New Order," the band was accordingly reborn. Alternating between guitar-drum-bass and electronic styles, the band's music reached and inspired a variety of listeners. New Order is often cited as one of the leading techno, and dance music groups of their era, yet their use of traditional rock instruments such as guitars and live drums has reached a level of influence comparable with their landmark electronic works. The continuing importance of Joy Division was shown at the turn of the millennium when John Peel asked his listeners to vote for the all-time Festive 50. At number one was the haunting "Atmosphere", while "Love Will Tear Us Apart" sat at number three. Three more songs from the band sat on the list. Much of the history of Joy Division was portrayed in the 2002 MGM/United Artists released film 24 Hour Party People which followed the rise and fall of the Factory Records, with whom both Joy Division and New Order were signed. In 2005, plans for a movie - Control directed by Anton Corbijn - depicting Ian Curtis' life were also revealed.

Equipment

Joy Division often experimented with different sounds, and Bernard Sumner was said to have been the main brain behind instrumental ideas and usage. He, for instance, instigated the use of synthesizers in Joy Division's music. Synthesizers were used quite predominantly in Joy Division's music towards the end of their time together, with songs such as "Isolation", "Decades" and "The Eternal" from the Closer album featuring quite heavy electronic undertones. Interestingly, a rare Joy Division track entitled "As You Said" (sometimes called "Incubation 2"), which can be heard on the Warsaw and Heart And Soul releases, appears to be entirely electronic in its sound. This track, recorded in 1980, is one of two Joy Division songs that doesn't include any vocals (the other track being "Incubation"). The use of the synthesizer as a more and more favoured instrument towards the latter part of Joy Division's existence supports a possible theory that Joy Division may well have taken the electronic based direction that New Order were to take had Ian Curtis not died. Synthesizers were notable for being hard to use live, which is probably why on some of the band's live performances, the synthesizer sounded rather out of tune. Another problem with using a synthesizer live was that Sumner, the groups lead guitarist, was obviously not able to play both synthesizer and guitar at the same time. For this reason, Ian Curtis took over basic guitar duties on some live tracks. "I Remember Nothing" and "Love Will Tear Us Apart" were just two tracks where Curtis was enlisted to play the electric guitar live. It is unlikely that Curtis played guitar on studio recordings. Footage exists of Curtis playing Sumner's Shergold Custom Masquerader and also VOX Phantom guitarorgan and VOX Teardrop guitars, which were apparently cheap at the time. Although not a skilled guitarist, Curtis' playing enhanced the band's ability at live gigs. Sumner, as previously mentioned, was the group's lead guitarist and used two or more different models with Joy Division; the mentioned Shergold Custom Masquerader and a Gibson SG Standard were two he is definitely known to have used. Peter Hook chose to play his bass guitar more like a lead guitar on many tracks. This enabled songs to have more dominant bass riffs to compliment the other instruments. Hook started to use a six stringed bass guitar on the "Closer" album, which allowed for higher notes to be played on the bass. He continued to use six string bass guitars with New Order. Hook also performed backing vocals for the group and was the 'other voice' on the song "Interzone". On the track "Sound Of Music", Hook and Sumner swapped instruments so that Hook was playing electric guitar and Sumner bass guitar. A melodica was another instrument used by Joy Division during a select few recording sessions: briefly on "Decades" and quite predominantly on "In a Lonely Place", which only exists as a rehearsal recording (this recording can be heard in the "Heart and Soul" box set). New Order used the melodica a number of times and were said to have "inherited" it from Curtis. Stephen Morris used expansive drum kits with many pieces to allow great ranges of rolls, rhythm shifts and beats. Morris seemed to be the most physically active band member behind Curtis, especially on tracks such as "She's Lost Control" and "Transmission" where quite complex drumming was used. Morris used electronic hi-hats on some songs to achieve a variety of effects.

Live performances

melodicaThe usual scene at a Joy Division gig was Curtis in the middle at the front, Sumner standing to Curtis' right, Hook standing to Curtis' left and Morris and his drum kit behind Curtis. The band usually played with little light, probably due to Curtis' epilepsy, which sometimes inhibited his performances. Curtis usually held onto the microphone stand for most of a song, only leaving it to dance. He sometimes walked off stage after he had finished his vocals, leaving the rest of the band to finish the song without his presence on stage. Also, Curtis very rarely spoke to the audience at gigs apart from the occasional "thank you" at the end of a song. At the Preston Warehouse gig in 1980, Curtis was unusually talkative (the reason being to keep the audience informed of the equipment failure the band suffered partway through the set). Joy Division's on-stage style went hand-in-hand with the dark persona of their music.

Influence on "Goth" subculture

Some consider Joy Division to be precursors of the Goth genre. Despite the fact that Joy Division did not dress in what would today be considered a Goth style, this genre was nascent in the period of Joy Division's career, and had not at that point become so closely associated with any image. Other than the gothic description, the band and its highly original sound were categorized alongside numerous other bands of eclectic styles under the umbrella of post-punk and new wave.

Discography

Singles/EPs


- An Ideal for Living: Warsaw/No Love Lost//Leaders Of Men/Failures (Jun. 1978, 7" EP, Enigma Records PSS 139, 1,000 copies; Sep. or Oct. 1978, 12" EP, Anonymous Records ANON 1, 1,200 copies)
- Transmission/Novelty (Oct. 1979, 7", Factory Records FAC 13; Dec. 1980, 12", Factory FAC 13.12)
- Licht und Blindheit: Atmosphere/Dead Souls (Mar. 1980, 7", Sordide Sentimental SS 33022, 1,578 copies)
- Komakino//Incubation/As You Said (Apr. 1980, 7" flexi disc, Factory FAC 28, 10,000 British copies, unknown number of American copies w/ The Other Sound fanzine)
- Love Will Tear Us Apart//These Days/Love Will Tear Us Apart version (Apr. 1980, 7", Factory FAC 23; Jun. 1980, 12", Factory FAC 23.12) UK #13
- Atmosphere/She's Lost Control (Aug. 1980, 12", Factory US FACUS 2)
- The Peel Sessions broadcast for Feb. 14 1979: Exercise One/Insight//She's Lost Control/Transmission (Nov. 1986, 12" EP, Strange Fruit SFPS 013)
- The Peel Sessions broadcast for Dec. 10th 1979: Love Will Tear Us Apart/24 Hours//Colony/Sound Of Music (Sep. 1987, 12" EP, Strange Fruit SFPS 033)
- Atmosphere/The Only Mistake (Jun. 1988, 7", Factory FAC 213-7)
- Atmosphere/The Only Mistake/Sound Of Music (Jun. 1988, 12", Factory FAC 213)
- Atmosphere/Transmission (live)/Love Will Tear Us Apart (Jun. 1988, CD, Factory FACD 213)

Albums/Other Releases


- Unknown Pleasures (LP, Factory FACT 10, June 1979)
- Closer (LP, Factory FACT 25, July 1980) UK #6
- Still (rare tracks, outtakes and live) (2×LP, Factory FACT 40, October 1981) UK #5
- Substance, Joy Division 1977–1980 (singles and b-sides compilation) (CD, Factory FACD 250, June 1988) UK #7
- The Peel Sessions (LP, Strange Fruit SFRLP 211, 1990)
- Permanent (compilation, 1995) UK #16
- Heart & Soul (4 CD complete works, 1997)
- Preston Warehouse 28 February 1980 (live)
- Les Bains Douches 18 December 1979 (live)
- Warsaw (Very early recordings, released in 1999)
- Fractured Box Set (Preston and Les Bains Douche live albums in special packaging!)
- Re - Fractured Box Set (Preston and Les Bains Douche live albums together with a third disc containing recordings from a concert in Amsterdam. Also contains simple poster and a T-shirt sporting the word 'Refractured' all contained in a special box. Released in 2004 in limited numbers)
- Let The Movie Begin (Bootleg)

Video


- Here Are the Young Men (VHS, Ikon FACT 37V; Beta, Ikon FACT 37B, August 1982)
- Punk (VHS, Compilation. WEA/Warner, in assosciation with Granada TV, 4 509 91011-3. Released 1992) Joy Divison perform "Shadowplay". Taken from Granada Reports, Granada TV, September 20, 1978.

Compilation appearances


- Short Circuit: Live at the Electric Circus (10" LP, Virgin VCL 5003, June 1978) — "At a Later Date"
- A Factory Sample (2×7", Factory FAC 2, January 1979) — "Digital," "Glass"
- Earcom 2: Contradiction (12"EP, Fast Product FAST 9B, October 1979) — "Autosuggestion," "From Safety to Where...?" There are also a tremendous number of bootleg recordings, both live and studio. Reference: [http://www.gerpotze.com/joydivision/hatym.htm]

Trivia


- "No Love Lost", an early Joy Division/Warsaw track, contains a lyrical reference to Ka-Tzetnik 135633's 1955 book The House of Dolls: :"...Through the wire screen, the eyes of those standing outside looked in at her as into the cage of some rare creature in a zoo. :In the hand of one of the assistants she saw the same instrument which they had that morning inserted deep into her body. :She shuddered instinctively. :No life at all in the house of dolls. :No love lost..."
- The name change to Warsaw was purportedly inspired by the David Bowie track Warszawa, found on his 1977 album Low.
- Video game designer Hideo Kojima named a black market store in his game Snatcher "Joy Division" in tribute to the band. However, it was changed to "Plato's Cavern" for the English release to avoid potential legal issues.
- The title of another Kojima game, Metal Gear Solid 2: Substance, is a nod to Joy Division's Substance.
- Warsaw track was featured in the 2004 video game Tony Hawk's Underground 2.
- When the band had recorded Closer, Curtis was given a copy of the album on cassette. Cassette was a very new medium in 1980, so new, in fact, that he didn't have a cassette player to play it on!
- The first song the band recorded with Hannett as producer was "Digital". This was also the last song they ever performed live before the death of Curtis.
- In 2005 they were inducted into the UK Music Hall of Fame.
- Ian Curtis' tragic end and the music of Joy Division served as an inspiration for the graphic novel The Crow.

External links and references


- [http://www.IanCurtis.org Joy Division Fans Club]
- [http://www.imdb.com/title/tt0075276/ Stroszek]
- [http://www.joydiv.com Joy Division Central]
- [http://www.incubation.ch Most detailed Joy Division discography and articles]
- [http://www.lyricsdir.com/joy-division-lyrics.html Joy Division Lyrics]
- 24 Hour Party People (film, 2002)
- Ka-Tzetnik 135633 (pseudonym of DeNur, Yehiel). The House of Dolls. 1955. Trans. from the Hebrew by Moshe M. Kohn. New York: Simon and Schuster.
- Curtis, Deborah. Touching from a distance: Ian Curtis and Joy Division. London: Faber, 1995 (2nd ed. 2001, 3rd ed. 2005). ISBN 0-571-17445-0
- Ott, Chris. Unknown Pleasures. (33⅓ series) New York: Continuum, 2004. ISBN 0-8264-1549-0 Joy Division Joy Division Joy Division Joy Division Category:New Order Category:1970s music groups Category:1980s music groups ja:ジョイ・ディヴィジョン

Gustavo Lapis Ahumad

Gustavo Lapis Ahumad is the founding member of goth rock band Bitter Grace. A native of New York City currently living in the Queens district, his work with the band has been released on the 1997 album God and the Abyss and the upcoming Shimmer. He's been heavily involved in the New York City goth scene for many years and founded the band in 1985. Gustavo has one daughter, Trinity.

Середостіння

Середостіння (mediastinum) - простір між лівим і правим плевральними мішками. Спереду воно обмежене грудиною, ззаду грудним відділом хребта, знизу - діафрагмою, верхня межа утворена апертурою грудної клітки. Середостіння умовно ділять на верхнє і нижнє. Межа проходить: спереду у місці переходу рукоятки грудини у тіло; ззаду на рівні міжхребцевого хряща між 4 і 5 грудними хребцями. У верхньому середостінні розташована вилочкова залоза, права і ліва плечеголові вени, верхня частина верхньої порожнистої вени, дуга аорти і її гілки, частина трахеї, верхня частина стравоходу, нерви. Нижнє середостіння ділиться на переднє, заднє і середнє. У передньому (між тілом грудини і передньою стінкою перикарду) розташовані внутрішні грудні артерії, вени і білягрудинні лімфатичні судини. В середньому розташоване серце із своїми судинами. Заднє (між хребтом і задньою стінкою перикарду) містить грудну частину аорти, непарну і напівнепарну вени, нерви, стравохід, лімфатичні вузли. Категорія:Анатомія

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